Sunday, 3 July 2016

Video Game Review: Dead or Alive Xtreme 3 - Venus (2016)

This happens to be my 200th post on I Choose to Stand, and I've put together something special... After all the shit-talking I've done about Dead or Alive Xtreme 3, I thought that it was pretty unfair of me to just dismiss it off-hand. As a result, I picked up a copy of the PS Vita version (like hell I was going to get caught playing this on my TV) and set about writing this review. Is it as bad as I had predicted? Read on to find out...

Note that the game is very careful to highlight that you can use the touch controls to manually jiggle the girls' boobs. Stay classy Tecmo, stay classy...

DOAX3 is a... umm... well, it's pretty hard to place it within a genre really. The most succinct way to describe it is that it's a minigame collection based around a voyeuristic appreciation of sexiness, with some very basic happiness-management and dating sim elements layered over it. The first thing that really struck me about DOAX3 was just how similar it felt to previous DOAX games - I had previously played a little Dead or Alive: Paradise, but even that cursory glance was enough to notice that DOAX3 has basically the exact same menu-based user interface and layout. Hell, even the locations are the basically the same, and the thumbnails look very similar too (the Sports Shop in particular looked almost identical to me). The game is also clearly carrying over a number of art assets from Dead or Alive 5: Last Round - the characters themselves appear to be updated, but the swimsuits and even some of the environments have been very clearly shared between the two releases (and the bulk of the "new" swimsuits are just palette-swaps).

Perhaps most egregiously, I also noticed that a very significant portion of the game's gravure videos are lifted from previous games in the franchise, reusing the exact same animations and even camera angles. I didn't do a comprehensive count, but when cross-referencing Hitomi's scenes in Dead or Alive: Paradise, I noticed that quite a few were reused wholesale, such as her riding on inflatable orca in the pool, her very cute improvised dance session, eating an ice cream cone and going for a bike ride. They also directly lifted Hitomi's Private Paradise scene from Dead or Alive 5: Ultimate's DLC. I'm sure there are more of Hitomi's scenes reused that I just haven't encountered in DOAX3 yet, and the fact that I've found this much recycling for just a single character is kind of a demonstration of how little effort seems to have gone into differentiating DOAX3 from previous games in the franchise. I don't want to accuse Team Ninja of being lazy, but the sheer amount of recycled content makes me feel like they basically just put in a minimal amount of effort on this release - hell, they couldn't even expand the cast past 9 girls, possibly because this would have required them to add in more items for the dating sim elements.

Controversially, DOAX3 also removed some features from previous DOAX games - in particular, the Marine Race (aka, Jet Skiing) and Water Slide have been removed entirely, presumably because the marina has been excised from the game (for no apparent reason other than lack of effort). The cast of characters is also kind of disappointing. Series mainstays, such as Christie, Tina and Lei Fang have been replaced with DLC characters from DOA5. I know that they put this up to a popular vote, but the fact that some of the main characters of the series have been excluded and have been replaced with people that we don't have any sort of story context for makes the game feel significantly less true to the DOA name (naturally, the two highest-voted new characters in the poll were the two biggest fetish bait - the lolita schoolgirl, Marie Rose, and the biggest tits and ass in the franchise, Honoka).



Tuesday, 28 June 2016

Voter Ignorance, Part 2

These are truly abundant times for us amateur political bloggers. Case in point: this article was originally conceived from Trump's reaction to the recent mass shooting in Orlando. I was skimming the news when I came across a very fitting quote regarding the situation that the US faces in the current election: "What Obama can't say is [that] the presumptive Republican nominee is an embarrassment to his own party, and the ultimate IQ test for the American electorate, come November." That alone was enough to trigger another round of speculation on the eligibility of the existing electorate... but then Brexit happened. Holy shit, if there was ever a time to make voter restrictions a public topic, this is the time.

Commenter #1: Maybe if there's segregation/zero integration, but by the second generation I think you'd see a high percentage of immigrant children assimilating into our culture.
Commenter #2: Good thing we came in and civilized the shit out of them!

In general, I don't believe that we should place important decisions in the hands of the uninformed (or misinformed) public, and Brexit was a clear example of how this can go spectacularly wrong. With the British pound being devalued to historic lows, the elderly swinging the vote in favour of their rose-tinted childhoods, and the realization that this referendum is not exactly going to bring about any immediate net gains (if any), it's little wonder that many "Leave" voters have changed sides and admitted they didn't know what they were voting for. In fact, a good portion of the "Leave" vote was just trying to "stick it to the man" rather than actually thinking about the impact that this will have on them - after all, they might be trying to screw over the "elites", but they'll weather any economic uncertainty far better than the average citizens who end up suffering from a devalued currency, shrinking job market and the scores of other issues that Brexit is going to bring about. It was also worth noting that "the Leave camp won support across a diverse subsection of voters, both politically and economically. The clearest factor seemed to be education: those with a university degree voted overwhelmingly to remain, while those without one did the opposite, according to the Guardian newspaper."

Saturday, 11 June 2016

In All Thy Sons Command

So it's looking very likely that the (English) Canadian national anthem is going to be changed to be "gender neutral", much to the consternation of seemingly everyone willing to put their opinions out there. For those unversed, the English variation of the Canadian national anthem goes as follows:
O Canada!
Our home and native land!
True patriot love in all thy sons command.
With glowing hearts we see thee rise,
The True North strong and free!
From far and wide,
O Canada, we stand on guard for thee.
God keep our land glorious and free!
O Canada, we stand on guard for thee.
O Canada, we stand on guard for thee.
The proposed bill, put forth by a Liberal party MP dying of ALS (presumably as his final wish to improve his country), wishes to change "in all thy sons command" to "in all of us command". As one could expect, this proposal has unleashed a shitstorm of fury from people calling the proposal a shame to every soldier who has died fighting under that anthem and that it's just the "political correctness police" forcing us to change over nothing. Naturally, the dishonouring veterans argument is a common tactic amongst so-called "patriots" in any sort of national debate like this, although it isn't particularly effective since the proposed changes are closer to the original lyrics (pre-1914) and "O Canada" didn't even become our official anthem until 1980 (with the only major non-peace-keeping operation since that point being the Afghan War). On the other side, we have people claiming that those who don't want the anthem changed are supporting sexism, which just reeks of attempting to shame people out of arguing with them*.


Saturday, 28 May 2016

Conjuring Your Perception

So recently I have been rocking out to "Termination" by Book of Black Earth on a pretty regular basis. I think my favourite part of the song though is the last minute or so, which closes with a rather intriguing sample from an interview panel featuring a Christian and a Satanist. As you would probably expect from this sort of setup, the Christian interviewee gets trounced in the debate:
Christian Dude: "To suggest that you can create your own reality, my goodness, that's what they did in Tiananmen Square. That's what they did in Germany in 1933. [...] These are examples of people who created their own reality."
Satanist Dude: "Everyone creates their own reality, the thing is, you speak for a consensus of reality that is acceptable. We speak for one which, at this point in history, is not acceptable."
Christian Dude: "Oh, so it's a question of who manipulates the media, who has the most money to put their reality forth? But would you pardon me for saying that I find the world where your ability to conjure your own reality that you perceive as being a very frightening world for people like me. Because you see, I am guided by some codified rules that tell me what is right and wrong. In your world, I'm not so sure I'd feel very safe."
Satanist Dude: "Well that's your problem. [...] In the Satanic world of the future, Christian churches will be allowed to continue, because they pose no threats to us. We don't need Christianity, Christianity needs us."*
The Christian interviewee's obliviousness to the fact that everyone is conjuring their own reality to at least some degree is just the first of many events that have occurred to me recently which have gotten me thinking about perception and reality. As the old saying goes, "seeing is believing", but it seems pretty clear that our perception is not necessarily truth. Maybe this is a pretty obvious statement when you really think about it, but it seems like many people just aren't confronted face-first with this idea, even though it plays a major role in much of human conflict (both on the large and small scale).


Monday, 2 May 2016

Vengeance Is Mine

So I finally got around to seeing The Revenant last night. I enjoyed it, maybe not quite as much as Birdman though (that said, it was clearly intended to be more of a crowd-pleaser than Alejandro G. Iñárritu's big Oscar winner). As I often do when I see an interesting film, I decided to Google it to see what sort of conversation was still on-going around it. The first entry on Google's news feed really caught my eye though: The Revenant Calls for Critical Christian Response.


Having just watched the film, I find the notion of Christian critics considering The Revenant to be a very good film for Christian audiences to be a baffling notion. It's about as pure an example of the revenge narrative as you can get, a concept which (while very popular amongst storytellers and audiences) is very much at odds with the Christian philosophy of radical enemy-love and "turning the other cheek". The article agrees with me on this response, and also lists 10 films which are typically considered very "Christian" within the popular critical consensus:

  1. The Matrix
  2. The Tree of Life
  3. O Brother, Where Art Thou?
  4. American Beauty
  5. Fight Club
  6. The Lord of the Rings
  7. The Shawshank Redemption
  8. Magnolia
  9. Braveheart
  10. Saving Private Ryan
Now, aside from The Matrix, The Tree of Life and The Lord of the Rings, which are all bursting with Christian themes, many of these films seem like a stretch to me. I mean, The Shawshank Redemption is all about hope, but that's hardly a theme that really resonates with damn near everyone (hence why it has been IMDb's top rated film for close to a decade now). Saving Private Ryan is arguably a Christ metaphor if you twist it into a pretzel, but if for example I was asked to mark a paper based on this argument I'd have a hard time accepting the premise. And what the literal hell is Fight Club doing on this list? As much as I loved that film, it is far easier to argue that it is a Marxist film and/or satire of modern macho-masculinity than a Christian film. I have no idea where they even start that argument. I'm sure there are other films on there which are just as baffling (unfortunately, I haven't seen (enough of) American Beauty, Magnolia or Braveheart to comment on them, but I have a hard time seeing Braveheart in particular as being a Christian narrative.

Wednesday, 27 April 2016

IC2S Playlist Update 27/04/2016

In case you haven't been paying attention, we are now just past the IC2S Playlist's 1 year anniversary. At 9 1/2 hours and 104 songs long, I find it quite enjoyable to throw on shuffle when I'm at work. I'm going to continue to update it irregularly from here on, but I don't think I'll write up big update posts like this anymore, mainly because I felt like they spammed the blog with useless posts that people didn't care about, and the effort I put into writing them was taking up potential effort that could have been going towards the backlog of topics that I actually had some interest in writing about. That's more-or-less why I started making the playlist updates into more "regular" blog posts a couple months ago, but it'll be nice not to have weekly updates hanging over my head from here on out.


Anyway, we're gonna close out the year with 2 songs I wanted to add for months now. First is "Dear John Piper" by Showbread. I had been debating picking this song for a while because it's a very IC2S-type song (it's about the destructive theology of Calvinism/predestination... which, again, is totally something I'm into). I kind of wish that the whole song wasn't being yelled out, but after a few listens it works pretty well, and contrasts well with the furious preaching towards the latter-half of the song. I quite enjoy it, it's my kind of deliciously angry.

Secondly we have "Empire of the Clouds" by Iron Maiden, which closes us out with the longest song on the entire playlist. It's also worth pointing out that this epic was written and performed by a group of nearly 60 year old men, which is just insane for an 80s rock/metal band in this day and age. Very few artists can remain relevant for a decade, let alone the 35+ years that Iron Maiden has been rocking our faces (although they did start to slip into irrelevance through the 90s, releasing their 4 indisputably worst albums back-to-back, but have been putting out high quality stuff again since 2000). I mean, just think about how irrelevant The Rolling Stones have been for years, or even other bands with mini-comebacks like Aerosmith have long since slipped back into obscurity (even Black Sabbath/Ozzy Osbourne to some degree). Even better, they seem to be edging back towards my preferred era of Iron Maiden, the Powerslave/Seventh Son of a Seventh Son sound with its heavy concepts, sweeping epics and technical virtuosity. I maintain that Seventh Son of a Seventh Son is my favourite Maiden album, and it's too bad that they ditched that sound in favour of the mediocrity they chased throughout the 90s. Now that we have The Book of Souls, who knows what limits Maiden still has within them?


Also, coincidentally, I have put together a small one-off playlist which just happened to coincide with this 1 year anniversary. Basically, I was listening to Sabaton's "The Rise of Evil" the other day, which got me wondering whether it could be considered part of a "musical trilogy". "The Rise of Evil" would be part 1, followed by "The Final Solution" as part 2 and then finishing with... well, I wasn't sure if they had a third song that could fit in well enough. The result of this is a playlist I titled "Sabaton - The Rise and Fall of Evil", which basically is a recounting of the history of Nazi Germany in WWII. I personally think that the compilation gels together very well and tells a rather compelling story: a madman rising to power, the Nazis' early victories, the Holocaust, the Allies uniting and turning the tide, and then the German people coming to grips with the evil they had been fighting in the name of for almost 6 years. I definitely recommend checking it out, either search it on Spotify or go to the IC2S Playlist sidebar and then click on my username.

Friday, 22 April 2016

Love the Sinner, Period.

I am 2 years late on this story, but my father told me about the Benham brothers, a real estate family-duo who had a reality TV show lined up with HGTV, but which was cancelled when it was revealed that one of the brothers was active in anti-LGBTQ protests. Someone had played a video about them at his Bible study, where he was saying they were pressured out of their TV deal by HGTV because they wouldn't compromise on their faith. This sounded rather suspicious and obviously one-sided to me (plus it's not like the world needed another shitty real estate reality TV show/60-minute home improvement commercial anyway), so I looked into it and it would seem that Right Wing Watch made some (arguably hyperbolic) statements about one of the brothers' views on homosexuality and the "gay agenda".


If you follow conservative evangelical circles, all the stuff they said is pretty much par for the course for that kind of worldview. This represented a rift between what was reported to me and what seems to have actually happened though - this was represented to me as the brothers being persecuted for being Christians and pressured to cave in to "The World", whereas it seems like the show was actually cancelled because of shitty public statements that one of the brothers had made. Is this religious persecution? I think it would be hard to argue that it isn't religious persecution in a sense, but do I feel sorry for him? Not really, because he's being persecuted for not being able to persecute others (and if you believe that the show was cancelled due to persecution over being a Christian, then you're basically saying that a core aspect of Christianity is the right to discriminate against LGBTQ people). If we simply looked at the brothers immediately after the HGTV cancellation then I'd be willing to potentially feel some sympathy for them, since they seemed to be just getting strung up for some statements made a few years earlier. However, that time is long past and they seem to be leveraging their persecution complex to get political attention. Naturally, they're from North Carolina and have been showing up in the news lately saying stupid bullshit which is further solidifying the accusations that, hey, maybe these guys just don't like gays.